An original vintage 1967 Fender Bassman tube amp head in great cosmetic condition. Blackface Bassmans have a well-deserved reputation as workhorse heads. They have a big, neutral clean tone that make them a perfect choice for players that use a lot of pedals. This amp has been serviced and tested. It is fully functional and sounds awesome. 1967 Fender “Black Face” Bassman Amp AB165. Power Supply has all new High Quality Electrolytic Capacitors. Kept the original blue molded caps in the tone stack and they tested within spec. Swapped out the dangerous power cord for a 3 pronger. This amp sounds really good. This is for the Amp only. Cab is not included.

Fender Vintage Reissue’65 Twin Reverb 85W 2×12 Guitar Combo Amp Great condition. Includes foot switch Very little use. Everything works as it should.

Amplifier Type: Guitar Amplifier. Number of Speakers: 1. Amplifier Technology: Vacuum Tube. The Fender Excelsior Amplifier is a vintage guitar amplifier known for its warm tone and classic Fender sound. This model features tremolo control with adjustable speed, a volume knob, and a bright/dark tone switch to customize your sound. It offers multiple input jacks for guitar, microphone, and accordion, making it versatile for various instruments. The amplifier is housed in a beige vinyl-covered cabinet with a sturdy black handle for portability. Ideal for musicians seeking a classic Fender amp with vintage charm and reliable performance. Fender Excelsior PR2298 Guitar Amplifier Power Cable. This Fender Excelsior Amplifier is previously owned. The amplifier is tested and working with minor scuffs, marks, and scratching. See photos for details.

The Fender Deluxe VM (Vintage Modified) Tube Amplifier (Type PR 772) is a 40-watt hybrid guitar combo amplifier manufactured by Fender between 2009 and 2012. It stands out for combining a classic, real-vacuum-tube power section with a solid-state preamp and a built-in Digital Signal Processing (DSP) effects suite. It uses actual tubes for its 40W power amplification stage and overdrive stages, while relying on high-quality digital processing for onboard effects. Features built-in digital effects including Fender reverb, chorus/vibrato (with rate and depth controls), and a tape-emulation delay (with time and repeat controls). The Clean channel features Volume, Treble, and Bass. The Drive channel features dedicated Gain, Volume, Treble, Middle, and Bass adjustments. Tonal Profile and Usage. Delivers the classic, high-headroom, crisp “Blackface” Fender clean sound that handles external pedals well. Moves from a subtle, bluesy crunch to more aggressive, modern overdrive distortion. It is considerably lighter than many traditional all-tube 40W amplifiers. This makes it a popular “grab-and-go” combo for gigging guitarists who want built-in effects without hauling an entire pedalboard. 2 x 12AX7 (preamp/drive stages) and 2 x 6L6 (power stage). Two channels-Clean and Drive. 17.5″ H x 24″ W x 10 D.

Up for sale, a 1962 Fender Bandmaster in collector-grade condition and in perfect working order. Extremely original, this “Piggyback” Bandmaster is decked out in original rough blonde tolex and oxblood grillcloth. This Brown Panel circuit drives two matched small bottle 5881 (6L6GC) power tubes for 40 powerful watts. Like the Tweed amps that preceded it, the Brown Panel circuits are dynamic and responsive, delivering Fender’s hi-fi glassy clean tones. The EQ controls have a positively huge sweep, from thick and mellow to biting, twangy snap. After around 5 on the volume dial, the amp cascades into rich tube overdrive that compresses a bit and feels slightly loose and gritty in just the right way without losing too much clarity. It’s the kind of natural tube overdrive that only comes from pushing a well-designed Fender circuit. The Harmonic Vibrato circuit is also a complex design only found on the top tier Brown Panel models, utilizing three tubes and creating a lush pitch shifting effect that has more in common with a Leslie or Chorus than a traditional tremolo. The circuit is extremely original, with the complement of Schumacher-made transformers which have date codes spanning late 1960 (choke) to early’62 (power and output transformers). The preamp retains all of the famed blue Ajax tone caps intact, along with all of the original Stackpole pots. The smaller electrolytic caps in the preamp have been replaced, along with the main filter caps which have been swapped for high quality F&Ts, ensuring optimal functionality. The power cable is the original gray two-prong, and a three-prong cable can be installed at no additional cost at the next owner’s discretion. The tube set includes a matched pair of small bottle vintage USA-made 5881s (6L6GC, one RCA and one Tung Sol), with Sylvania and RCA-made tubes in the preamp along with a couple modern EH-branded valves. The speaker cab is loaded with the original Oxford alnico magnet 12L6 speaker pair and untouched speaker harness. The speakers date to the 9th week of’62. Inside the head cabinet, the tube chart has a “LF” stamp which translates to June of’62. Cosmetically, this is an extremely well-kept example, with clean and original rough blonde tolex and oxblood grillcloth. The faceplate is in great shape, and all of the original cream barrel knobs are present. Both flat Fender logos are original on the head and cab and all additional stock hardware is present too, with molded dogbone handles, tilt-back chrome legs, leg stops, sphinx glides (feet), nickel corners, and piggyback clip bars.

The Fender Vibro Champ XD 5-Watt Vintage Tube Hybrid Guitar Combo Amplifier is a versatile and powerful amplifier designed for electric guitar players. With its vintage tube hybrid technology, this amplifier delivers a warm and rich sound perfect for guitarists looking for a classic tone. The compact combo design makes it easy to use at home, in the studio, or on the go, while the 5-watt power output provides plenty of volume for small gigs. The Fender Vibro Champ XD is a reliable choice for musicians looking for a high-quality amplifier that delivers on the promise of vintage tone and modern convenience.

Based on the transformer code 606-7-33 (often stamped as 606733), this component was manufactured by Schumacher in the 33rd week of 1967. Here is the breakdown of the code. 7 : The last digit of the year (1967). This unit is in amazing condition and work great!

Up for sale, a 1963 Fender Bandmaster in collector-grade condition and in perfect working order, loaded with a full vintage tube set. Extremely original, this “Piggyback” Bandmaster is decked out in original rough blonde tolex and wheat grillcloth. This Brown Panel circuit drives two matched Tung Sol USA small bottle 5881 (6L6GC) power tubes for 40 powerful watts. Like the Tweed amps that preceded it, the Brown Panel circuits are dynamic and responsive, delivering Fender’s hi-fi glassy clean tones. The EQ controls have a positively huge sweep, from thick and mellow to biting, twangy snap. After around 5 on the volume dial, the amp cascades into rich tube overdrive that compresses a bit and feels slightly loose and gritty in just the right way without losing too much clarity. It’s the kind of natural tube overdrive that only comes from pushing a well-designed Fender circuit. The Harmonic Vibrato circuit is also a complex design only found on the top tier Brown Panel models, utilizing three tubes and creating a lush pitch shifting effect that has more in common with a Leslie or Chorus than a traditional tremolo. The circuit is 100% original save for a recap of the main power supply. The full complement of Schumacher-made transformers are intact, with date codes from early’63. The preamp is untouched, with all of the famed blue Ajax tone caps intact, along with all of the original Stackpole pots which have visible date codes from the 14th week of’63. The power cable is the original gray two-prong, and a three-prong cable can be installed at no additional cost at the next owner’s discretion. The full (likely original) vintage tube set includes include a pair of matched small bottle vintage Tung Sol USA 5881 (6L6GC) power tubes with RCA and Tung Sol-branded valves in the preamp. The speaker cab is loaded with the original Oxford alnico magnet 12L6 speaker pair and untouched speaker harness. Inside the head cabinet, the tube chart has a “MF” stamp which translates to June of’63. Cosmetically, this is an extremely well-kept example, with clean and original rough blonde tolex and wheat grillcloth. The faceplate is in great shape, and all of the original cream barrel knobs are present. Both flat Fender logos are original on the head and cab and all additional stock hardware is present too, with tilt-back chrome legs, leg stops, sphinx glides (feet), nickel corners, flat handles and piggyback clip bars.

I built this amp 6 years ago, but it’s too loud for me to open it up when I play in my house. I assembled it from a kit by Boothill Amps, so the parts are high quality. You can look at his website for more information. It’s a 5-watt 5F1 “Fender Champ” circuit. The speaker is an 8-inch, 4-ohm ceramic Warehouse G8C. I bought a tube set directly from Dave at Boothill Amps because he said that a USA-made tube rectifier would be more reliable and keep the amp at the proper voltages. The newer modern production 5Y3 tubes run at higher (hotter) voltages. Keep this in mind if you plan on replacing the 5Y3 rectifier (far left tube, V3) and/or the 6V6 power tube (middle tube, V2). He sent me a USA-made RCA 5Y3 (rectifier) tube and a USA-made RCA 6V6 power tube. These are vintage tubes, but I’ve read that rectifier tubes last a long time. The V1 preamp tube (far right) is a brand new modern Russian-made TOL-SUNG AX7. I will include these three tubes with the sale. The transformers I used are now difficult to find: a USA-made ClassicTone 40-18019 (Power Transformer) and a ClassicTone 40-18115 (Output Transformer). The pine cabinet is unbranded and came with the kit. It’s well-made and covered with raw (unlacquered) tweed. See photos and video for details.

Up for sale, a 1961 Fender Vibrolux in excellent condition and in perfect working order, complete with the original footswitch. Loaded with a full vintage tube set, this narrow panel tweed-era Vibrolux amp has the coveted 5F11 circuit, offering a range of dynamic tones to match its good looks. The sound is shimmering and harmonically rich, delivering round cleans and overdriven grit and bite higher on the Volume dial, cascading into ripping tube saturation at its highest settings. The tremolo is bias-based and has a strong pulse, with a smooth waveform and plenty of intensity and present percussive chop. The circuit features the original Triad power transformer and Schumacher output transformer (dating to the 46th week of’60). The preamp has a bevy of original yellow Astron capacitors, as well as two stock CTS pots dating to 1959 and’60 (two replacement pots are from the 1980s). The power supply has been professionally recapped, along with the smaller electrolytic caps in the preamp. A modern three-prong power cable has been installed. The tube set includes all vintage valves, with a Sylvania-branded rectifier and Telefunkens in the preamp. The tube chart is intact, noting the 5F11 circuit, stamped “KA, ” which dates to January of’61. The amp is loaded with the original Jensen P10R 10 speaker which has a dark blue/green frame, ribbed cone, stock bell cover and stamp on the edge of the frame from the 48th week of’59. The amp presents extremely well, and the original lacquered tweed is only modestly ambered, paired with the original oxblood/gold stripe grillcloth. The face of the amp retains its metal Vibrolux badge, and the leather handle is a vintage-style replacement. The chassis is positively gleaming, with bright chrome plating, all of the original white silkscreen text intact, and stock chicken head knobs. The original black molded footswitch for engaging the vibrato is included.