Vintage Tube Amp

Original 1958 Fender Bassman 5f6-a complete working chassis (minus tubes). If you’re here, you probably know these Original 5f6 amps sound amazing, but if you haven’t experienced an Original late 50′s Bassman amp in person you’ll certainly be in for a treat. The chassis plating has light pitting, the control panel overall is very clean, one added preamp tube socket previously, so there is a filled hole under the chassis, not visible when installed. Two small holes on the ends of the chassis and one small screw securing a broken pinch weld in the one corner. Also not visible when installed in an cabinet. Overall very good vintage original condition. Has a replaced power transformer (Soursound), 3 prong power cord, has bias trim pot, replaced selenium rectifier with diode, caps replaced upon previous service, 3 pots, 4 input jacks and 2 rca output jacks. This is a killer sounding amp and a wicked players piece! Please let me know if you require any additional pictures or have any questions.

Up for sale, a 1966 Fender Vibrolux Reverb in excellent condition and in perfect working order. With good reason, the Vibrolux is one of the most desirable Fender Black Panel models for its ideal size and power, well-suited to both stage and studio applications. The amp delivers sparkling cut and muscle, and a surprising amount of headroom, cascading into lightly compressed tube overdrive when pushing towards 10 on the Volume dial. Offering 35 tube watts through a vintage Jensen C10Q speaker pair, the Vibrolux is the perfect platform for getting the most out of a variety of guitars and stompboxes. Clean and sweet up til about 5 on the volume knob (with a perceived volume that’s loud enough to keep up with an aggressive drummer), the Vibrolux has clear note attack and sweet tube rectifier sag, not to mention lush tube-driven Reverb and percussive Tremolo. The preamp is extremely original, retaining a full complement of original blue molded Ajax caps, a key ingredient in the sweet, musical character of Fender’s Black Panel circuits. All of the transformers are original and date to’66, manufactured by Fender’s primary transformer supplier in this era, Schumacher. All but two of the original CTS pots are intact too, with visible date codes from the 26th week of’66. Even the power supply retains all of its original (and still viable) Mallory capacitors. A three-prong power cable has also been installed. The Jensen C10Q 10 speakers are a vintage matched pair with black frames and foil stickers on the ceramic magnets, dating to the 37th week of’66. The tube chart is mostly intact, with a “PJ” date stamp which translates to October of 1966. The original smooth black tolex is intact, and the baffle is a modern solid pine replacement (a notable upgrade from the original MDF material), complete with lightly aged silver sparkle grillcloth. The original hardware includes the full complement of witch hat knobs, the raised Fender logo, handle caps, chassis straps, corners, and sphinx glides (feet).

1965 Fender Bandmaster / Showman. Electric Guitar / Bass Amplifier Head. This is what I call a Showmaster. It is essentially a Bandmaster thats been converted to a Showman amp, putting out approx. I got this amp head many decades ago and took it to my amp tech back then who removed all unnecessary modifications, changed the filter caps, the power cord and ran it for an hour. He put two plugs in the back of the chassis where the holes were from the pots, which cover the first letter of the serial number. He restored the circuit back to original model blackface circuitry but retained the Showman modification. I have not ran or played it since. It’s been often said by many that this is not a practical modification as it can overload the transformers and cause many problems. That is not necessarily true and especially in this case since both the output transformer and power transformer are the same ones used in Fender Dual Showman and Twin Reverb amplifiers. I recently, July 2024, took it to my current amp tech who checked the circuitry and ran the amplifier for an hour and found no problems. This amp should be working fine. The cabinet was pretty beat up when I got it so this was one of my first attempts back then of recovering. I re-tolexed the entire cabinet but not knowingly, I removed all the staples holding the screen on and re-stapled with silver staples. I taped plastic over the tube chart which was falling apart and saw enough of the date code so I wrote it in with black marker (OD). I also changed all of the hardware with the exception of the piggy-back slide brackets. This is why the amp looks so clean, I wanted it to match the exceptionally clean faceplate. Serial # A 10155. Production # something 3. Chassis Black Ink Stamp. Black Ink Stamp Underside. Cabinet Black Ink Stamp. (3rd week of 1963). (5th week of 1965). (26th week of 1964). It might serve the buyers purpose to bring up the power slowly with a variac since these used amp heads are over 50 years old and have not been used for a few decades. Our Amp tech has only replaced the needed parts (filter caps) to just get them working! The operation of the amps requires that they be regularly serviced for optimal performance. Please remember these are vintage pieces, we cannot guarantee that they will not need service or more parts in their future, only some obvious parts were changed to get it working, most are still the original old parts remaining. Your item will be packed with great care rest assured. This discriminating collector has curated an incredible collection of guitars and amps since 1965. From a collector & player with an extensive musical history and knowledge. This collection has been stored and cared for impeccably for decades. Now, after all these years, he is ready to share his collection with other enthusiasts and wants his prized possessions to go to good homes and get played! Please follow our listings. LOTS MORE TO COME! We only sell to buyers that are established, verified.

I had asked him if he ever did anything to it and he said, “No”. It had never had any problems and still has all the original parts, hardware and tubes. I bought the amp and changed the silverface faceplate to a blackface re- issue faceplate so that is the only non-original part that I know of other than the piggy back slide mount hardware and some caps. I remember that this amp played really loud and also has the original 3 prong plug. I took this amp to my amp tech this week, who replaced all the filter caps, the fuse and went over the operation so everything should be working perfectly. This amp is one of the very last and latest Bassman’s made Dec. 1971 before they changed the circuit in Jan, 1972 and renamed the new model the Bassman 50! It’s quite RARE! Serial # A 63194. Black ink stamped BROWN. Black ink stamp inside chassis- Richard Hand Dec 1971. Black ink stamp- 43033. Power Trans # J022814. 606 3071 7 (30th week of 1971). 606131 (31st week of 1971). 606-1-46 (46th week of 1971). It might serve the buyers purpose to bring up the power slowly with a variac since these amp heads are over 50 years old and have not been used for a few decades. Please remember these are vintage pieces, we cannot guarantee that they will not need service or more parts in their future, only some obvious parts were changed to get it working, most are still the original old parts remaining. Your item will be packed with great care rest assured. This discriminating collector has curated an incredible collection of guitars and amps since 1965. From a collector & player with an extensive musical history and knowledge. This collection has been stored and cared for impeccably for decades. Now, after all these years, he is ready to share his collection with other enthusiasts and wants his prized possessions to go to good homes and get played! Please follow our listings. LOTS MORE TO COME! We only sell to buyers that are established, verified.

Up for sale, a 1979 Fender Champ in excellent condition and in perfect working order. Thoroughly serviced, this Champ delivers a tone with chiming and dynamic cleans that give way to sizzling overdrive as you turn up the Volume knob. It’s a perfect pint-sized Class A amplifier for studio use, and with a microphone in front of it, this amp can sound like a giant. It’s hard to beat the Champ for simplicity and tonal purity. The original Schumacher transformers are intact, dating between the 48th week of’75 (output) and the 21st week of’79 (power). The circuit retains the original blue molded caps in the preamp, with a couple modern smaller electrolytics. The power supply has also been rebuilt inside the chassis, with the original large can cap retained. The stock CTS pots have visible date codes from the 20th week of’77. The tubes include a JAN/Phillips 5Y3 rectifier, General Electric 6V6, and a 12AX7 preamp tube with no visible markings. The original ceramic magnet Oxford 8 speaker is intact, dating to the 26th week of’79. The tube chart is present inside the cabinet too. The original smooth black tolex and silver sparkle grillcloth with light blue stripe is intact and quite well-kept. Both back panels are original, and all of the original hardware is accounted for as well, including the raised Fender logo, sphinx glides (feet), chassis straps, corners, and handle caps. The brushed aluminum faceplate retains the original witch hat knobs.

Up for sale, a 1962 Fender Princeton in excellent condition and in perfect working order. This genuine vintage Brown Panel era Princeton features a very original 6G2-A circuit. The Princeton has a tone that is very dynamic and warm, with crystalline clean tones giving way to rich, saturated overdrive when turning up the Volume knob. The circuit is as pure and straightforward as they come, and the single Tone knob has a surprisingly wide range. The bias based tremolo circuit has a strong, dimensional pulse and particularly broad range of speeds too. The circuit retains the original pair of Schumacher transformers which date to the 39th (power) and 46th (output) weeks of’61, and the preamp retains all of the original blue molded Ajax tone caps, which have a particularly sweet, musical tonal character. The original Stackpole pots are intact, with visible date codes from the 43rd week of’61. The power supply features a new multi-section can cap, and two smaller Sprague electrolytic caps in the preamp, all ensuring reliable use. The tube complement includes all vintage valves, with a matched pair of vintage JAN 6V6s, a Silvertone-branded (RCA) 5Y3 rectifier, and vintage preamp tubes as well. The speaker is the original gold frame Oxford 10J4 speaker, with a date code on the edge of the frame from the 21st week of’62. The original tube chart is intact, retaining an “LA” date stamp which translates to January of 1962. Cosmetically, this amp features the original rough brown tolex, wheat grillcloth, and the stock leather handle. There’s a bit of light staining and scuffing on the edges of the enclosure, and light patina on the original handle caps and chassis straps. The faceplate is very clean, retaining the original brown barrel knobs. A modern replica Victoria Luggage-style slip cover is included.

Fender Super Champ x2 PR 2259 Vintage Modified Tube Amp Amplifier Used. This listing is brought to you by AP. WELCOME TO MIDWEST NEATSTUFF! All packages are insured. We do not mark merchandise values below value or mark items as’gifts. We are prohibited to violate US and International government regulations. We have endeavored to photograph and accurately describe every item as to its condition and authenticity to the best of our ability. We intend that photographs are part of the description. THANK YOU FOR SHOPPING AT MIDWEST NEATSTUFF!