Vintage Tube Amp

In a guitar amp world filled with digital emulators, the vacuum tube (or valve) remains the undisputed king. The Stage Right 30-watt guitar stack delivers the best of tube amp and speaker design at an ultra affordable price. Three industry standard 12AX7 tubes drive the preamp and reverb sections, while two pairs of EL84 tubes generate 30-watts of output power. The clean and overdrive channels are selectable and reverb can be turned on or off using the included 2-button footswitch. A 3-band equalizer section allows you to really dial in and customize your sound. Included in the bundle is a 1×12 cabinet featuring an industry standard Celestion Vintage 30 speaker. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a. Stage Right by Monoprice 30-Watt 1×12 Guitar Stack Tube Amplifier with Celestion V30 and Reverb. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a famously rich vocal-like mid-range. The Celestion V30 sound has been captured on thousands of recordings from a diverse range of notable players, including Slash, Steve Stevens, and Peter Frampton. Adapters are not classified as cables. Monoprice stands behind the quality of everything we sell, and we are committed to your satisfaction. If you are purchasing a high value item, please ensure that someone can receive the package.

Custom 1964 Grand Princeton Reverb Pre-CBS Black Panel Tube Amp Head / Hand-wired Princeton Reverb Vintage Black Panel Tube Amp in Purple Color.

BELONGS IN A MUSEUM! This is a SPECTACULAR, NEAR MINT, VINTAGE 1978 FENDER SUPER REVERB SILVERFACE ELECTRIC GUITAR 4-10 COMBO AMP. Not much you can say about an amplifier this nice. EVERYTHING WORKS, SOUNDS AWESOME. 1978 was the first year for a middle control on Channel 1. It features a PUSH/PULL MASTER VOLUME/BOOST. Comes with the original footswitch and cover. As a basic test I have operated this amp for at least 4 hours recently and it did not fail, smoke, throw sparks, blow fuses, start on fire, etc. Old electronics are scratched, worn, chipped, cracked, dirty, dusty, stained, ugly, tinkered with, missing parts, etc. The exteriors have wear that includes cuts, holes, tears, scuffs, missing stitching, missing or replaced feet, handles, knobs. In the course of servicing over the years, they typically do not have all original components. Old electronics typically hum and have scratchy controls. Old electronics can fail at any time. This is part of my estate. LOOK AT ALL MY LISTINGS!!! You should not have to live with something you are unhappy with for any reason. If you alter, modify, change or “repair” the item in anyway without my consent, you are accepting the item “as is”, at the price paid. We will work through the claim together until things are right.

Up for sale, a 1969 Fender Princeton Reverb in near-mint, 100% original condition and in perfect working order, complete with a full vintage RCA-branded tube set. A stunningly clean transitional “drip edge” example of the Princeton Reverb with source date codes on the transformers and speaker spanning late 1968 through the first weeks of’69, this amp retains the same circuitry as its Black Panel-era predecessor. Arguably the perfect portable Fender package, the Princeton’s size, wattage and tonal characteristics are well-suited to a wide range of studio applications while also being an ideal companion for club gigs. This amp delivers both well-balanced, sparkling cleans and smooth, harmonic-rich overdrive when dimed out. The Reverb is lush and the Tremolo has a nice pulse with a wide range of speeds. The circuit is 100% original, and the stock transformers were manufactured for Fender by Schumacher (their primary transformer supplier in the 1960s), dating between the 51st week of 1968 and the 6th week of 1969. The preamp features brown molded caps, carbon comp resistors, and cloth-covered leads. The CTS pots have date codes spanning the 14th week of 1966 to the 7th week of’69. The original two-prong power cable is also present and can be swapped for a three-prong at the next owner’s discretion (no charge). The tube set includes all vintage RCA valves, all but one of which is original to the amp (one 6V6 power tube is an earlier RCA, and the pair is closely matched and properly biased). The Oxford 10J4 speaker has a clean black frame and blue foil Fender sticker on the ceramic magnet. The sticker on the edge of the frame dates to the 3rd week of 1969. The tube chart is also present inside the cabinet and practically perfect. The original smooth black tolex and silver sparkle grillcloth present extremely well, and the faceplate is equally as pristine. All of the original hardware is intact, including the raised logo, handle caps, chassis straps, and sphinx glides (feet).

Hammond AO-35 Vintage Tube Organ Reverb Guitar Amplifier removed from working organ.

This vintage Fender Blues DeVille 410 tube amp is a true gem for any musician looking for a high-quality amplifier. With four speakers and 60 watts of power, this combo amp is ideal for performances in any venue type. It has a classic Fender sound and is suitable for a wide variety of guitars, including acoustic, electric, bass, and more. The amp was made in the United States and features vacuum tube technology, with an 8 ohm impedance. It is a 1994 reverb model, and the classic tweed design adds to its vintage appeal. This amp is perfect for anyone looking for a high-quality and versatile amplifier that is sure to impress.

Vintage Fender 1976 Original Quad Reverb Amp All Original. Fully working has a few minor flaws on the outside.

Vintage Hammond H-AO-35-7 tube amplifier in good condition. This amp is popular for guitar amp conversions, and Dr. Z’s popular Carmen Ghia amp is actually a clone of this unit. This amp was taken from a working unit and is in good cosmetic shape, with some rust spots on the exterior and other normal cosmetic signs of use (see photos).