Vintage Tube Amp

This is a Vintage 1967 Silvertone Model 1484 Twin Twelve 2×12 Guitar Combo head and cabinet. Silvertone was a trade name of the Sears, Co. This amp was made in the USA by Danelectro. Date was determined by the codes on the two matching original Jensen C12Q speakers (220708) and pot codes (1376701). All the tubes are branded Silvertone and original to the amp with one exception. One of the 12AX7 tubes is a Silvertone from my personal stash. The three preamp 12AX7′s are made in Holland, so Bugle Boy Aperex tubes branded Silvertone? All USA, and HOLLAND made tubes, that test strong on my Hickok 6000a tube tester. This amp is nicer than most of the 1484′s I see for sale. TREMOLO and REVERB, BOTH WORK. The speakers have been professionally reconed and probably do not have 10 hours of play time on them. One of the tube sockets has been replaced (reverb driver). This thing sounds incredible. EVERYTHING works and it includes the footswitch. Clean controls, no scratchy pots. The reverb is just as wild and wacky as everyone says about it. AND YOU GET TO HEAR IT FOR YOURSELF. This amp is so original, the speaker cord is still attached to both the head and cab. That is the first and last time it was serviced. This is an attic find that cleaned up very nicely. There is evidence of deterioration, but for the most part well preserved. Please look at the pictures for condition. Normal aging and patina. One of the knobs has a chip. You can take this out to play a gig the day you get it. As a basic test I have operated this amp for at least 4 hours recently and it did not fail, smoke, throw sparks, blow fuses, start on fire, etc. Old electronics are scratched, worn, chipped, cracked, dirty, dusty, stained, ugly, tinkered with, missing parts, etc. The exteriors have wear that includes cuts, holes, tears, scuffs, missing stitching, missing or replaced feet, handles, knobs. In the course of servicing over the years, they typically do not have all original components. Old electronics typically hum and have scratchy controls. Old electronics can fail at any time. This is part of my estate. LOOK AT ALL MY LISTINGS!!! The following is common sense stuff, but needs mentioned. You should not have to live with something you are unhappy with for any reason. If you alter, modify, change or “repair” the item in anyway without my consent, you are accepting the item “as is”, at the price paid. We will work through the claim together until things are right.

Must have for the Fender Collector. Has original Special order at the time JBL Speakers. Tilt Legs and Casters. Was serviced back in 1988, one pot changed out but is included. I have not recently serviced it so you may want your tech to do a good cleanup of the electronics for perfect performance. JBL speakers sound good but the left one had a slight buzz, I took to a friend of mine – he said the dust cap was loose and he put a. Tiny bead of speaker glue around the edge of it – it seems to have helped it out but you may need to eventually re-cone that speaker. Original Red plug power cord. See all pictures for condition. Hopefully you can pick it up in person as it is a heavy amp! 606 3 08, 606 3 27, 606 3 29 – transformer codes. 39999, 40034 speaker serial #s. Reverb and tremolo working – you will need a foot swtich to made the Tremolo work. Foot switch is NOT included.

Up for sale, a 1969 Fender Deluxe Reverb in excellent condition and in perfect working order, complete with the original two-button footswitch. A transitional “drip edge” example with aluminum trim framing the grillcloth, this Deluxe Reverb has an identical AB763 circuit to its “Black Panel” forebears. Extremely original and freshly serviced to ensure optimal performance, the Deluxe Reverb has a sweet, balanced sound that delivers the top end sparkle and clarity characteristic of the best amps from Fender’s golden era. This amp is very responsive to player inputs, working as a perfect platform for effects pedals, and while the treble response can twang with the best, there’s a smoothness to the top end that keeps the amp from sounding harsh. Turning up past around 5 on the volume dial, the amp begins to push into overdrive territory with light compression and plenty of sizzle. The Reverb is lush with long decay, and the Tremolo has a strong pulse with an almost three-dimensional quality to the effect when increasing the intensity. The circuit retains all of the original Schumacher-made transformers (Fender’s primary transformer supplier in this era), with date codes primarily from the first weeks of 1969, while the choke dates back to mid-1966. The preamp is completely original save for a couple smaller Sprague capacitors and a single resistor to ensure performance in-line with original factory specifications. The original CTS pots are intact, also with visible date codes from the 16th week of’66 and the 7th week of’69. The power supply has been professionally recapped with high quality F&T caps, and a three-prong cable has been installed too. Tubes comprise a fresh, properly-biased pair of JJ 6V6s, while the rectifier and full set of preamp tubes are all original RCA-made valves. The speaker is an era-correct Oxford 12T6 12 ceramic magnet driver with a clean black frame. The speaker is higher wattage than the stock driver, ensuring optimal headroom and bass response, dating to early 1970. The speaker is mounted to the original baffle, notable for being one of the very last screw-in baffles used by Fender before the glued-in baffles became the norm for the remainder of the Silverface run. The baffle is in great shape, and this earlier style is considered to be more resonant and also far easier to replace if the necessity were to arise. The original tube chart is intact inside the cabinet too, noting the AB763 circuit. The original smooth black tolex and silver sparkle grillcloth with turquoise stripe are intact, with only light aging of the grill and similarly restrained wear on the enclosure. The original faceplate has all of its turquoise text with just a speckling of patina, retaining a full complement of witch hat knobs. Hardware includes the original chassis straps, handle caps, sphinx glides (feet), and raised Fender logo with tail. This vintage Deluxe Reverb works exactly as it should, sounds great, and is ready for another 55 years of use. The amp comes complete with the original black two-button footswitch to engage the Reverb and Vibrato effects.

INCREDIBLE OLD SCHOOL TUBE TONE at an AFFORDIBLE PRICE! This is a VINTAGE 1979 FENDER DELUXE REVERB AMPLIFIER 1-12 COMBO. This is a 1970′s SILVERFACE AMP W/ ORIGINAL FOOTSWITCHES. It has been maintained and serviced through its history. All the tubes test strong on my Hickok 6000a tester. The amp is in perfect working order. No scratchy pots and everything works as it should. For the most part a quiet amp at idle with some very light white noise, well it’s a 45-year-old tube amp. There has been repair work done to the cabinet. The top joints have been reglued and screws have been added for support. It’s a solid cab. THE AMP LOOKS GREAT and SOUNDS AWESOME!! The speaker was made by CTS and has a 1978 date code. Transformers are all original with 1979 date codes. There are newer capacitors under the main supply pan that are dated 2003, so I suspect that is when it was recapped last. The things I have done to the amp include cleaning the controls, resoldering the plug end of the reverb switch and replacing a couple of microphonic 12AX7 tubes. I also noticed it has a replaced and a cracked knob, and a replaced power plug. This amp has a fairly rare/usable feature… A push/pull volume/mid boost that is also foot switchable. As a basic test I have operated this amp for at least 6 hours recently and it did not fail, smoke, throw sparks, blow fuses, start on fire, etc. Old electronics are scratched, worn, chipped, cracked, dirty, dusty, stained, ugly, tinkered with, missing parts, etc. The exteriors have wear that includes cuts, holes, tears, scuffs, missing stitching, missing or replaced feet, handles, knobs. In the course of servicing over the years, they typically do not have all original components. Old electronics typically hum and have scratchy controls. Old electronics can fail at any time. This is part of my estate. LOOK AT ALL MY LISTINGS!!! You should not have to live with something you are unhappy with for any reason. If you alter, modify, change or “repair” the item in anyway without my consent, you are accepting the item “as is”, at the price paid. We will work through the claim together until things are right.

Popularly converted to a Dr. Z-type 18W guitar amp… This example is a good solid candidate with just minor cosmetic stains and blemishes. Uses a couple EL84 types for output, included are two used 6BQ5, printing is nearly gone and remaining life is uncertain, but it’s a place to start. Thank you for looking!

In a guitar amp world filled with digital emulators, the vacuum tube (or valve) remains the undisputed king. The Stage Right 30-watt guitar stack delivers the best of tube amp and speaker design at an ultra affordable price. Three industry standard 12AX7 tubes drive the preamp and reverb sections, while two pairs of EL84 tubes generate 30-watts of output power. The clean and overdrive channels are selectable and reverb can be turned on or off using the included 2-button footswitch. A 3-band equalizer section allows you to really dial in and customize your sound. Included in the bundle is a 1×12 cabinet featuring an industry standard Celestion Vintage 30 speaker. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a. Stage Right by Monoprice 30-Watt 1×12 Guitar Stack Tube Amplifier with Celestion V30 and Reverb. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a famously rich vocal-like mid-range. The Celestion V30 sound has been captured on thousands of recordings from a diverse range of notable players, including Slash, Steve Stevens, and Peter Frampton. Adapters are not classified as cables. Monoprice stands behind the quality of everything we sell, and we are committed to your satisfaction. If you are purchasing a high value item, please ensure that someone can receive the package.

Benson Amps Vinny Reverb 5W 1×10 Tube Combo Amp – Vintage Tweed. A Benson Amps Vinny Reverb combo in Vintage Tweed. Combining the classic 5-watt, single-ended design with features like all-tube reverb and power scaling, the Vinny Reverb is the ultimate boutique combo for low-volume playing. People have asked us for a few years now to make a Vinny Combo. We listened, and then some. We took the basic beloved Vinny circuit, and we added a tone control, Tall Bird style spring reverb, and power scaling which is uniquely driven by a tube, not a silicon MOSFET! Perfect for rocking out without getting evicted. Overview -Power Output: 1/4 Watts to 5 Watts -Tubes: 6V6, EL84, 12DW7, 12AX7 -Speaker: 10″ Celestion G10 Greenback -Controls: Volume, Tone, Reverb, Power -Dimensions: 16″ x 15.5″ x 9″ -Weight: 20 lbs Features -Point to point construction on terminal strips -Mallory 150 capacitors -Custom Triad power and output transformers -Baltic Birch speaker cabinet.

Up for sale, a 1974 Fender Vibrolux Reverb in excellent condition and in perfect working order, complete with a two-button footswitch. With good reason, the Vibrolux is one of the most desirable Fender models for its ideal size and power, well-suited to both stage and studio applications. The amp delivers sparkling cut and muscle, and a surprising amount of headroom, cascading into lightly compressed tube overdrive when pushing towards 10 on the Volume dial. Offering 35 tube watts through the original CTS alnico magnet 10 speaker pair, the Vibrolux is the perfect platform for getting the most out of a variety of guitars and stompboxes. Clean and sweet up til about 5 on the volume knob (with a perceived volume that’s loud enough to keep up with an aggressive drummer), the Vibrolux has clear note attack and sweet tube rectifier sag, not to mention lush tube-driven Reverb and percussive Tremolo. All of the transformers are manufactured by Fender’s primary transformer supplier in this era, Schumacher, dating between late 1972 and the first weeks of’74. Fully serviced, all pots, switches, jacks and tube sockets have been thoroughly cleaned, and the amp boasts a professional recap of the power supply, with smaller modern Sprague electrolytic caps in the preamp. The preamp retains a full complement of original blue molded caps, and all of the original CTS pots are intact, with visible date codes from the 2nd week of’74. The tube complement includes a properly biased pair of Groove Tubes 6L6 power tubes, with a 5U4 rectifier and mostly modern valves in the preamp The CTS alnico magnet 10 speakers are the original matched pair with black frames and blue Fender foil stickers on the alnico magnets. The date stamps on the edges of the frames date to the 5th week of’74. These are also the same speakers seen in Super Reverbs of the era. The tube chart is intact inside the cabinet as well. The original smooth black tolex and silver sparkle grillcloth with orange stripe are intact, exhibiting some scuffs and a couple bald corners. The hardware shows light surface patina on the original handle caps, chassis straps, corners, and sphinx glides (feet). The faceplate, in contrast, is particularly well-kept with a full complement of witch hat knobs. A modern Fender two-button footswitch is included.