The Marshall Studio Vintage 20W 1×10 combo is based on an amp that inspired generations of iconic guitarists, the 1959SLP. Marshall Studio Vintage amps deliver the unmistakeable tone shaping and harmonics that are expected from the 1959SLP in a portable format. You can play anything from saturated blues tones to biting leads for classic rock. Studio Vintage amps provide four separate inputs for you to blend your sound, distinctive EQ settings including presence control, a DI output and power reduction. Marshall Studio Vintage 20W 1×10 Tube Guitar Combo Amp Black Refurbished. It has been professionally refurbished, inspected and cleaned to excellent condition. The item includes original or new accessories and will come in new generic packaging. For example, if your order is placed AND paid for at 1 p. Store Policies If you’re not satisfied, neither are we. It’s that simple. Be in brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings, or scrapes on the instrument or collateral materials.
Vintage Gorilla GG-25 Guitar Amplifier – Excellent All-Original Condition! Up for sale: a vintage 1980′s Gorilla GG-25 combo guitar amplifier in excellent condition – rare to find with this level of care and all original parts. This amp has been well-maintained with no scuffs, dents, or damage and the handle is still in great shape. Era: 1980′s vintage solid-state practice amp. Power: 25-50W through an 8? Speaker (solid-state). Controls: Gain, Master Volume, Treble, Middle, Bass. “Tube Stack” overdrive switch for extra grit. Headphone jack for silent practice. Line Out for connecting to PA or recording gear. All original – no modifications. No headphones or microphone included (see photos). Works great – tested and ready to go. This amp is a highly sought-after vintage piece from the 1980s, great for collectors, practice rigs, or those chasing classic lo-fi tones. Despite its modest size, it has a cult following among vintage gear fans. Condition: Excellent cosmetic and working condition – clean original tolex and logo, no major blemishes. Comes with: Everything pictured. ? See photos for condition details.
James 50-Watt 6L6 Tube Amp Head (Black). 50 Watt valve head. Custom designed light-weight Switched-Mode Power Supply (SMPS). 2 x ECC83 (12AX7) preamp valves. 2 x 6L6 power amp valves. Special design light-weight output transformer. Two footswitchable preamp channels. CHI based on Fender’black-face. CHII based on modern high-gain cascaded-valve stage circuits. Footswitchable VOICE (gain boost) on CHII. Electronically independent 3-band EQ specifically voiced for each channel. 3 mode’POWER’ switch – 50 Watts, SAG, 2 Watts. Blackstar wanted to produce a range of heads and combos, that were the lightest available while still retaining the essential element found in traditional valve / tube amps. Lightweight amps with no trade-off in performance and tone are something guitarists have been requesting for ages making it the forefront during the design process of the new ST. Thus making them the lightest valve amps in the world. James Series In Detail. James heads and combos are highly versatile amplifiers suited to a wide range of playing styles and situations. Channel I, all models. The valve/tube gain structure and voicing of this channel have been inspired by classic American amplifiers of the mid-’60s (Fender’black-face’). It is very clean and bright but with a solid low-end and controlled mids. Also, on this channel, the valve/tube power stage is set to be tight and relatively clean, and linear across the frequency range. This is one of the most popular choices for a’pedal platform’ as it provides a solid clean foundation to apply effects to. Channel II for 6L6 model. On 6L6 models this increases the gain into the valve/tube overdrive section pushing the saturation available from the GAIN II control even further. This is great for fluid’legato’ lines and sweep-picking techniques as well as aggressive alternate picking. On these models the power stage is tight with VOICE off and reconfigures to a looser, more resonant response with VOICE on, to provide the low end’chug’ of modern high gain amps. When the footswitch is connected then this switch is bypassed but the LED will still indicate the VOICE status. As with all Blackstar products the St. James amplifiers are designed for maximum reliability. All the amplifiers are thoroughly endurance tested on automatic test equipment to replicate many hours of real-life use in a few days of laboratory testing. CAB RIG is Blackstar’s next-generation DSP speaker simulator and begets a fundamental shift in the accessibility of professional recording and performing. CAB RIG awards budding musicians the ability to access previously unattainable technology, that has long been reserved for professional sound engineers and producers. Leading-edge advancements in the speaker cabinet and microphone simulation will allow any player to achieve unparalleled quality in their live sound and recorded music. What’s in the Box. James 50-Watt 6L6 Tube Amp Head. In the Continental US Lower 48 states only. We cannot declare items at a lesser value or as gifts. Territories and International orders. Items removed from their’blister-pack’ display packaging are non refundable. G There are product categories which are not returnable, due to hygienic, sanitary, or other reasons, as required by the respective Manufacturers. In an event where there is an error regarding a price error or description we will notify you ASAP.
The Marshall Studio Vintage 20W Tube Guitar Amp Head provides the legendary tone of the 1959 Super Lead Plexi in a compact, handwired format. This 20W tube amplifier head features four ECC83 preamp tubes and two EL84 power amp tubes to produce the harmonically rich, saturated tone that Marshall is known for. With four separate inputs, you can blend different sounds and find your signature tone. Distinctive EQ settings, including presence control, give you the flexibility to shape your tone. Crank it up for a biting rock lead or roll back the volume for bluesy rhythm tones. A DI output allows for recording, while power reduction provides the option for lower volume playing. Marshall Studio Vintage 20W Tube Guitar Amp Head Black and Gold. Iconic 1959 Super Lead Plexi tone. The Marshall Studio Vintage 20W Tube Guitar Amp Head is inspired by the legendary 1959 Super Lead Plexi, producing the unmistakable tone that has defined generations of guitarists. From meaty rock rhythms to searing leads, this compact amp head delivers the tone and touch sensitivity that Marshall is renowned for. Handwired for Premium Tone. Handwired construction and high quality components are key to the rich, expressive tone of the Marshall Studio Vintage 20W Tube Guitar Amp Head. The handwired circuitry and tube design provide the warmth, depth and complexity that Marshall tone is known for. With four separate inputs and distinct EQ settings, the Marshall Studio Vintage 20W Tube Guitar Amp Head provides flexibility to shape your tone. The presence control adds top end sizzle. Power reduction lowers the volume for practice and recording, while a DI output allows for direct recording. Though inspired by the iconic 1959 Super Lead Plexi, the Marshall Studio Vintage 20W Tube Guitar Amp Head has a compact, portable design perfect for the stage and studio. Power reduction and a DI output add flexibility for a variety of playing situations. Crank it up and unleash the full power of this handwired tone machine. Power: 20W (tube) Power switching from 20W to 5W Tubes: two 12AX7 (preamp); one 12AX7 (phase splitter); two EL34 (power amp) Single channel Four inputs Controls: 3-band EQ, presence, volume DI output Speaker outputs: 4, 8, 16 ohm. For example, if your order is placed AND paid for at 1 p. Store Policies If you’re not satisfied, neither are we. It’s that simple. Be in brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings, or scrapes on the instrument or collateral materials.
Welcome to another exceptional listing from The Reliable Pawnbroker! We take pride in offering quality items at great prices. Be sure to check out our YouTube channel, The Reliable Pawnbroker, for real pawn shop deals, rare finds, and behind-the-scenes action! 1967 Fender Bassman Black Face Panel Vintage Tube Amp Head AB165 USA WORKING. Amp Head Only. This is a fantastic opportunity to acquire an extremely rare and historically significant piece of rock history: a. 1967 Fender Bassman Amp Head. This head represents the highly sought-after. Era, and its originality is confirmed by the attached tube chart featuring the clear two-letter date code. Indicating a manufacturing date of. Amplifiers from this specific year are becoming exceedingly difficult to find, and this unit, with its confirmed provenance, is a true collector’s item prized for its classic Fender tone. The amp has been fully tested and works great with no issues. The controls have been optimized, with the potentiometers (pots) having been professionally cleaned to ensure smooth, scratch-free adjustment. Cosmetically, this amp is in great shape for a machine nearing 60 years old, showing only the obvious and expected signs of wear and use on the tolex and hardware that add to its authentic vintage character. We would like to mention that it seems as though the back panel has been replaced as it is missing the screw holes and fits on the amp tightly. Please Note: While the circuitry and components appear to be all original, we are unable to definitively verify if any components have been replaced over the decades. Please do your own research. This is a very rare amp in this amazing, fully functional condition, ready for the studio, the stage, or a prominent place in any serious collection. Thank you for checking out our listing. The Reliable Pawnbroker (Visit us on YouTube). Thank you for visiting. 4370 Cochran St, Simi Valley, CA 93063. We strive for accurate listings and full transparency in our item descriptions. If we make an error or fail to disclose a defect, we will gladly accept a return. We encourage buyers to. The item before purchasing to ensure it meets their needs and expectations. Our Commitment to You. When you commit to purchasing an item, we commit to providing exactly what is described in the listing. Any questions or concerns. We value your satisfaction and would appreciate the opportunity to resolve any concerns. For a prompt response. We appreciate your business and look forward to serving you!
Up for sale, a 1965 Fender Bassman head, freshly serviced and in excellent condition. Featuring the AB165 circuit, this amp delivers the rich and powerful tones associated with the Black Panel sound, and the cleans are robust and detailed. Pushing the amp past around 5 on the Volume dial of either channel coaxes shades of overdrive out of the circuit, with moderate compression and plenty of crunch and bite when diming the amp out. Perfect for guitar or bass, this amp is also an excellent pedal platform. The circuit is very original with stock Schumacher transformers (Fender’s primary transformer supplier in the Black Panel years) dating between 1964 and’65. The power amp has been professionally recapped, and the preamp has new electrolytic caps as well, ensuring reliable performance. The preamp retains a number of the original blue molded Ajax tone caps that are an essential part of the Black Panel era’s sweet, musical character, and a few Sprague Orange Drops have also been installed. The CTS and Stackpole pots have visible date codes that span late 1964 and early’65. The power cable has been upgraded to a modern three-prong variety. The tube complement includes a pair of matched Ruby 6L6s, with a Mojotone-branded phase inverter and three original RCA-branded preamp tubes. Present inside the head cab, the stock tube chart is present, with a “OH” date stamp which translates to August of 1965. While the tube chart touts the “AA” version of the Bassman circuit, the amp is wired for the “AB” configuration, which is extremely common in 1965-66, as the AA circuit was short lived and Fender used up all their remaining tube chart stock. Cosmetically, this amp is very clean, with original smooth black tolex and silver sparkle grillcloth. All of the original hardware is present including the chrome piggyback clip bars, chassis straps, nickel-plated corners, handle caps, and sphinx glides (feet), and the hardware shows only light surface patina. The faceplate is in great shape, and all of the original witch hat knobs are intact.
Up for sale, a 1967 Fender Twin Reverb in collector-grade condition and in perfect working order, complete with the original Victoria Luggage cover, Fender catalog, and two-button footswitch. A nearly dead stock and minimally serviced example with a full vintage tube set, this Twin’s condition is all the more uncommon given its size. While Fender’s smaller combos of the era can occasionally be found in pristine shape, it’s significantly rarer to find Fender’s gig-worthy large combos (which generally saw much rougher usage) as well-kept as this example. This Twin delivers warm, articulate cleans with ample bass response, a wide-ranging and responsive EQ, and present, sparkling Fender top end. When it comes to the quintessential Black Panel Fender amp for clarity, headroom, and the balanced, authoritative response of a four 6L6 driven tube amp, it’s hard to beat the Twin. The tube-driven Reverb effect has incredible depth and splash, and the Tremolo has a strong pulse with a wide range of speeds. It’s as iconic a design as Leo Fender ever created, also very well-suited to amplifying pedal steel or electric piano in the vein of a Wurlitzer or Fender Rhodes. The circuit is extremely straight, retaining all of the original blue molded Ajax capacitors, a key part of the sweet, musical character of the Black Panel-era preamps. All of the original Schumacher-made transformers are intact, with date codes spanning mid-1966 to early’67. The original CTS pots have visible date codes from the 38th week of’66. The amp has a single new electrolytic capacitor in the preamp along with a new bias capacitor. Even the stock power supply caps are still intact and viable. The power tubes comprise three Sylvanias and a closely matched Fender-branded 6L6 with the same construction. The preamp features RCA, Amperex and GE-branded valves. The speakers are the original pair of Fender-branded Jensen C12Ns with clean black frames. The most popular (and relatively uncommon) vintage speaker option offered in the Black Panel era Twin, these Jensens offer excellent headroom, clarity and detail. The tube chart is clean and fully intact, with an “QD” date stamp that translates to April of 1967. The original black tolex is exceptionally clean, and the silver sparkle grillcloth shows minimal wear and modest darkening. The faceplate is notably well-kept, retaining a full complement of original witch hat knobs. All of the original hardware is present, including the chrome tilt back legs, nickel corners, sphinx glides, handle, and raised Fender logo on the amp’s face. The original two-button footswitch is included, along with the original Victoria Luggage-branded slip cover and the factory paperwork comprising the full color Fender catalog and a pair of schematics.
Here we have a vintage 1965 Vox AC50 MK III tube amplifier head! This one is in very good condition overall and good functioning order. The amp is serial number 2220, and is the solid state rectified spec manufactured in England by JMI. It is the tall or big box version which has the chassis mounted to a slider board for easy servicing. The grille cloth has some tears, but the tolex and handle are in fairly good shape. This gray panel amp has two channels with two inputs per channel, along with volume, treble and bass controls. It also has a voltage selector knob. There is an xlr power port and the amp includes a modern cable with a US 3 prong plug. The speaker out section has been replaced with a metal grill and there is a simple hard-wired female 1/4 jack in place. The amp has seen service over the years as you’d expect.
