Fender Musical, AA764 circuit per the tube chart, Fender’s classic 1×10 single-channel combo with fantastic tube-driven reverb and tremolo, one of the ultimate studio and small-club amps, light, portable, and famously toneful. Reliable and robust, great-looking and great-sounding, handwired in Fullerton, California, USA. 3 owner amp, in all original condition. Had the 2 prong power cord on it till 2 months ago. 3 prong was put on and the death cap was removed. If you need more photos please reach out.
The Marshall Studio Vintage 20W 1×10 combo is based on an amp that inspired generations of iconic guitarists, the 1959SLP. Marshall Studio Vintage amps deliver the unmistakeable tone shaping and harmonics that are expected from the 1959SLP in a portable format. You can play anything from saturated blues tones to biting leads for classic rock. Studio Vintage amps provide four separate inputs for you to blend your sound, distinctive EQ settings including presence control, a DI output and power reduction. Marshall Studio Vintage 20W 1×10 Tube Guitar Combo Amp Black Refurbished. It has been professionally refurbished, inspected and cleaned to excellent condition. The item includes original or new accessories and will come in new generic packaging. For example, if your order is placed AND paid for at 1 p. Store Policies If you’re not satisfied, neither are we. It’s that simple. Be in brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings, or scrapes on the instrument or collateral materials.
Up for sale, a 1967 Fender Dual Showman Black Panel vintage tube amp head in exceptional condition, recently retubed and freshly serviced. Differentiating it from other Showman heads of the era, the “Dual” variant has an output transformer ideally wound for a 4ohm load (as opposed to 8ohms). Loaded with a fresh quad of properly biased JJ 6L6 power tubes, this Showman has a sound that is powerful, clear, and sparkling. As Fender’s flagship “piggyback” amp head of the Black Panel era, the Dual Showman delivers 85 watts of all-tube power via the AB763 circuit. The Dual Showman is a real powerhouse for guitar, bass, or your favorite Fender Rhodes or combo organ. The low end is ample, and the amp has plenty of headroom and efficient clean power until about 6-7 on the Volume knob, where the signal starts to compress and overdrive. Fresh back from our techs and ready for another half century, this Dual Showman is ready for stage and studio use. The circuit is very original, retaining all of the original transformers which date between late 1966 and the first weeks of’67. The preamp retains the majority original blue molded Ajax caps, central to the sweet, musical tone that’s a hallmark of the Black Panel sound. The preamp features a few new low noise metal film resistors, a couple new caps (high quality Mallory and Sprague replacements) and the majority of the original CTS pots, with visible date codes from’66. The power supply has been recapped with F&Ts. A new bias cap has been installed, along with a three-prong power cable. The tube chart is intact inside the head cabinet, with a “QD” date stamp that translates to April of 1967. This amp retains the original smooth black tolex and silver sparkle grillcloth, both of which are notably well-kept. All of the hardware is intact, including the piggyback clip bars, handle, corners and raised metal Fender logo. The original faceplate also retains its stock complement of witch hat knobs.
The Marshall Studio Vintage 20W 1×10 combo is based on an amp that inspired generations of iconic guitarists, the 1959SLP. Marshall Studio Vintage amps deliver the unmistakeable tone shaping and harmonics that are expected from the 1959SLP in a portable format. You can play anything from saturated blues tones to biting leads for classic rock. Studio Vintage amps provide four separate inputs for you to blend your sound, distinctive EQ settings including presence control, a DI output and power reduction. Marshall Studio Vintage 20W 1×10 Tube Guitar Combo Amp Black Refurbished. It has been professionally refurbished, inspected and cleaned to excellent condition. The item includes original or new accessories and will come in new generic packaging. For example, if your order is placed AND paid for at 1 p. Store Policies If you’re not satisfied, neither are we. It’s that simple. Be in brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings, or scrapes on the instrument or collateral materials.
Up for sale here is this box of 5 NOS NIB vintage Sprague Black Beauty capacitors. The caps are all marked. 1 uf 600v, and test around. 1.115 uf, with very low leakage. They will work great at full voltage. Please see my pictures for details and test results. If you have any questions, please ask. I have more capacitors and other vintage electronics listed–feel free to take a look!
Up for sale, a 1966 Fender Vibrolux Reverb in excellent condition and in perfect working order. With good reason, the Vibrolux is one of the most desirable Fender Black Panel models for its ideal size and power, well-suited to both stage and studio applications. The amp delivers sparkling cut and muscle, and a surprising amount of headroom, cascading into lightly compressed tube overdrive when pushing towards 10 on the Volume dial. Offering 35 tube watts through a vintage Jensen C10Q speaker pair, the Vibrolux is the perfect platform for getting the most out of a variety of guitars and stompboxes. Clean and sweet up til about 5 on the volume knob (with a perceived volume that’s loud enough to keep up with an aggressive drummer), the Vibrolux has clear note attack and sweet tube rectifier sag, not to mention lush tube-driven Reverb and percussive Tremolo. The preamp is extremely original, retaining a full complement of original blue molded Ajax caps, a key ingredient in the sweet, musical character of Fender’s Black Panel circuits. All of the transformers are original and date to’66, manufactured by Fender’s primary transformer supplier in this era, Schumacher. All but two of the original CTS pots are intact too, with visible date codes from the 26th week of’66. Even the power supply retains all of its original (and still viable) Mallory capacitors. A three-prong power cable has also been installed. The Jensen C10Q 10 speakers are a vintage matched pair with black frames and foil stickers on the ceramic magnets, dating to the 37th week of’66. The tube chart is mostly intact, with a “PJ” date stamp which translates to October of 1966. The original smooth black tolex is intact, and the baffle is a modern solid pine replacement (a notable upgrade from the original MDF material), complete with lightly aged silver sparkle grillcloth. The original hardware includes the full complement of witch hat knobs, the raised Fender logo, handle caps, chassis straps, corners, and sphinx glides (feet).
The VHT D-50H D-Style 50W tube guitar amp head is the company’s take on an extremely rare and iconic boutique amplifier. Handwired on eyelet boards, like VHT’s Special series amplifiers, the D-50H has three 12AX7 preamps and two Ruby Tubes 6L6GC output tubes. The D-50H has a single input, a 3-way Bright switch, a Mid Boost switch, a Jazz/Rock voicing switch, and its unique Treble, Middle, and Bass controls provide a wide range of tone shaping options – and a distinctive classic boutique tone. The footswitchable Overdrive section has Drive and Level controls, and the Power Amp section has a Master Volume control and a Presence control. The D-50H comes with a 2-button footswitch to engage the Preamp Boost and Overdrive functions. VHT D-50H 50W Tube Guitar Amp Head Black and Beige 197881141158 RF. The D-50H also has a rear-panel international line voltage selector to accommodate 100V, 120V, and 230V AC lines. It looks and plays like new and may be considered an equivalent to display units found in retail stores. It has been professionally refurbished, inspected, and cleaned to good condition by qualified sellers. The item includes original or new accessories and will come in new generic packaging. For example, if your order is placed AND paid for at 1 p. Store Policies If you’re not satisfied, neither are we. It’s that simple.
Up for sale, a 1969 Fender Princeton Reverb in near-mint, 100% original condition and in perfect working order, complete with a full vintage RCA-branded tube set. A stunningly clean transitional “drip edge” example of the Princeton Reverb with source date codes on the transformers and speaker spanning late 1968 through the first weeks of’69, this amp retains the same circuitry as its Black Panel-era predecessor. Arguably the perfect portable Fender package, the Princeton’s size, wattage and tonal characteristics are well-suited to a wide range of studio applications while also being an ideal companion for club gigs. This amp delivers both well-balanced, sparkling cleans and smooth, harmonic-rich overdrive when dimed out. The Reverb is lush and the Tremolo has a nice pulse with a wide range of speeds. The circuit is 100% original, and the stock transformers were manufactured for Fender by Schumacher (their primary transformer supplier in the 1960s), dating between the 51st week of 1968 and the 6th week of 1969. The preamp features brown molded caps, carbon comp resistors, and cloth-covered leads. The CTS pots have date codes spanning the 14th week of 1966 to the 7th week of’69. The original two-prong power cable is also present and can be swapped for a three-prong at the next owner’s discretion (no charge). The tube set includes all vintage RCA valves, all but one of which is original to the amp (one 6V6 power tube is an earlier RCA, and the pair is closely matched and properly biased). The Oxford 10J4 speaker has a clean black frame and blue foil Fender sticker on the ceramic magnet. The sticker on the edge of the frame dates to the 3rd week of 1969. The tube chart is also present inside the cabinet and practically perfect. The original smooth black tolex and silver sparkle grillcloth present extremely well, and the faceplate is equally as pristine. All of the original hardware is intact, including the raised logo, handle caps, chassis straps, and sphinx glides (feet).
