Vintage Tube Amp

Vintage 72′ twin reverb with all parts.

Pioneer SR-101 Stereo Tube Spring Reverb Reverberation Amplifier Vintage Audio STUDIO MODIFIED. Tested and Works good. NOTE- This unit was modified for Studio use. The stock units mixed the right and left output reverb signals. This unit has 2 INDEPENDENT reverb channels just like a normal stereo effect device in a studio. Right channel has right output channel reverb. Two different signals can be used if desired At same time. The signal level have also been increased to 1 Volt RMS levels for better signal to noise. This unit is not suitable for typical stereo system tape monitor loop as the increased gain can overload these 250mV signal inputs if not used with suitable attenuator. It also includes RCA output jacks with signal taken just before the reverb tanks, and provides 16 db of Vacuum-Tube signal gain. This is useful for driving external reverb tanks or to be used as a 2 ch. Tube amp booster or pre-amplifier. A schematic drawing will be included. This unit can be serviced into future by competent tech.

Pioneer SR-101 Vacuum Tube Spring Reverb Amp Reverberation Amplifier RARE! .

Up for sale is a Fender Twin Reverb Silverface tube amplifier with the Master Volume control. This iconic vintage amp is known for its legendary clean headroom, lush reverb, and powerful volume. Perfect for gigging musicians, studio use, or collectors of classic Fender amps. Fender Twin Reverb – Silverface era. Features Master Volume control. Comes with a protective case. Fully working condition – tested and sounds fantastic. Normal cosmetic wear consistent with vintage gear (see photos). This is a classic piece of Fender history and one of the most sought-after tube amps for guitarists who want legendary tone and reliability. Fender Twin Reverb Silverface Amplifier (with Master Volume).

In a guitar amp world filled with digital emulators, the vacuum tube (or valve) remains the undisputed king. The Stage Right 30-watt guitar stack delivers the best of tube amp and speaker design at an ultra affordable price. Three industry standard 12AX7 tubes drive the preamp and reverb sections, while two pairs of EL84 tubes generate 30-watts of output power. The clean and overdrive channels are selectable and reverb can be turned on or off using the included 2-button footswitch. A 3-band equalizer section allows you to really dial in and customize your sound. Included in the bundle is a 1×12 cabinet featuring an industry standard Celestion Vintage 30 speaker. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a. Stage Right by Monoprice 30-Watt 1×12 Guitar Stack Tube Amplifier with Celestion V30 and Reverb. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a famously rich vocal-like mid-range. The Celestion V30 sound has been captured on thousands of recordings from a diverse range of notable players, including Slash, Steve Stevens, and Peter Frampton. Adapters are not classified as cables. Monoprice stands behind the quality of everything we sell, and we are committed to your satisfaction. If you are purchasing a high value item, please ensure that someone can receive the package.

At Top 40 Guitars. If after 14 days you are not completely satisfied. Peace be with you.. Were at the time of sale. All original packing must be included. Up for Sale is a. Vintage 1967 Fender Pro Reverb “Blackface” All Tube Combo Amp! You are looking at a Vintage 1967 Fender Pro Reverb Blackface All Tube Combo Amp. A vintage 1967 Blackface Fender Pro Reverb 2×12 tube combo amp in fantastic cosmetic condition. Considered “little” brother of the Twin Reverb, the Pro Reverb features the same big 2×12 clean tone only with less volume. Perfect for any serious player or recording studio. This Amp Sounds AWESOME!! He was a working musician for his entire career. He is now elderly and knew it was time to pass it off to someone else. The Pro Reverb is a staple Fender combo with the full sound of a Twin Reverb with less wattage, so you can get the breakup you need at a lower volume with a powerful sound from a pair a 12 Utah speakers. This’67 example comes updated with a replaced 3-prong, updated capacitors, and is in fantastic cosmetic condition. It sounds great with huge, glassy, three-dimensional clean tones and Fender’s iconic reverb and tremolo. This dynamic and versatile vintage Black Panel combo is ready to work! Includes the original footswitch. The Speakers are the correct ones for this amp, they are not original to it. The Speaker on the left with the label is a 1968. The one on the right without the label, is a 1969. The amp has been fully recapped. It also has all new resistors. The Grill Cloth has been replaced. The tolex is in excellent shape. Keep in mind that this is a 58 year old vintage amp that has been used. Some light scuffs and scratches on the instrument control bezel. All lettering is legible. A truly great Sounding and Looking Amp. Top 40 Guitars is a Veteran Owned Business. Thanks For Supporting Veterans!

Up for sale, a 1971 Fender Vibrolux Reverb in excellent condition and in perfect working order, complete with a vintage tube set and two-button footswitch. Clean, original and freshly serviced, this Vibrolux is stage and studio ready, loaded with a bevy of vintage tubes including a pair of Phillips-branded 6L6 power tubes. With good reason, the Vibrolux is one of the most desirable Fender models for its ideal size and power, well-suited to both stage and studio applications. The amp delivers sparkling cut and muscle, and a surprising amount of headroom, cascading into lightly compressed tube overdrive when pushing towards 10 on the Volume dial. Offering 35 tube watts through the original Oxford 10L5 ceramic magnet 10 speaker pair, the Vibrolux is the perfect platform for getting the most out of a variety of guitars and stompboxes. Clean and sweet up til about 5 on the volume knob (with a perceived volume that’s loud enough to keep up with an aggressive drummer), the Vibrolux has clear note attack and sweet tube rectifier sag, not to mention lush tube-driven Reverb and percussive Tremolo. All of the transformers are manufactured by Fender’s primary transformer supplier in this era, Schumacher, with source date codes from 1971. The preamp is 100% original save for two capacitors in the bias section, all of the original CTS pots are intact, and the chassis stamp reads Sept 16th, 1971. The power supply has also been professionally recapped with high quality F&Ts, and a three-prong power cable has been installed. Given a full checkup by our techs here at Mike & Mike’s Guitar Bar, all pots, switches, jacks and tube sockets have been thoroughly cleaned. The tube complement includes a pair of Phillips-branded 6L6 power tubes, an RCA 5U4 rectifier, and nearly all of the original Phillips-branded tubes in the preamp. The Oxford 10L5 ceramic magnet 10 speakers are the original matched pair with black frames and blue Fender foil stickers on the ceramic magnets. The stickers on the edges of the frames are dated to the 21st week of’71. The tube chart is intact inside the cabinet as well. The original smooth black tolex and silver sparkle grillcloth with turquoise stripe are intact, with only very light wear on the enclosure edges. Original hardware includes the handle caps, chassis straps, corners, sphinx glides (feet) and raised logo. The faceplate is particularly well-kept with a full complement of witch hat knobs. The original two-button footswitch is included.

Up for sale, a 1967 Fender Twin Reverb in collector-grade condition and in perfect working order, complete with the original Victoria Luggage cover, Fender catalog, and two-button footswitch. A nearly dead stock and minimally serviced example with a full vintage tube set, this Twin’s condition is all the more uncommon given its size. While Fender’s smaller combos of the era can occasionally be found in pristine shape, it’s significantly rarer to find Fender’s gig-worthy large combos (which generally saw much rougher usage) as well-kept as this example. This Twin delivers warm, articulate cleans with ample bass response, a wide-ranging and responsive EQ, and present, sparkling Fender top end. When it comes to the quintessential Black Panel Fender amp for clarity, headroom, and the balanced, authoritative response of a four 6L6 driven tube amp, it’s hard to beat the Twin. The tube-driven Reverb effect has incredible depth and splash, and the Tremolo has a strong pulse with a wide range of speeds. It’s as iconic a design as Leo Fender ever created, also very well-suited to amplifying pedal steel or electric piano in the vein of a Wurlitzer or Fender Rhodes. The circuit is extremely straight, retaining all of the original blue molded Ajax capacitors, a key part of the sweet, musical character of the Black Panel-era preamps. All of the original Schumacher-made transformers are intact, with date codes spanning mid-1966 to early’67. The original CTS pots have visible date codes from the 38th week of’66. The amp has a single new electrolytic capacitor in the preamp along with a new bias capacitor. Even the stock power supply caps are still intact and viable. The power tubes comprise three Sylvanias and a closely matched Fender-branded 6L6 with the same construction. The preamp features RCA, Amperex and GE-branded valves. The speakers are the original pair of Fender-branded Jensen C12Ns with clean black frames. The most popular (and relatively uncommon) vintage speaker option offered in the Black Panel era Twin, these Jensens offer excellent headroom, clarity and detail. The tube chart is clean and fully intact, with an “QD” date stamp that translates to April of 1967. The original black tolex is exceptionally clean, and the silver sparkle grillcloth shows minimal wear and modest darkening. The faceplate is notably well-kept, retaining a full complement of original witch hat knobs. All of the original hardware is present, including the chrome tilt back legs, nickel corners, sphinx glides, handle, and raised Fender logo on the amp’s face. The original two-button footswitch is included, along with the original Victoria Luggage-branded slip cover and the factory paperwork comprising the full color Fender catalog and a pair of schematics.

Everything on this amp works flawlessly. I replaced the torn tolex shortly after receiving it and replaced a capacitor in 07. I recently had the VIB switch in the footswitch replaced. Grill cloth is as I received it (probably original). On the tube sticker inside the cab, (See pics), I question the tale of the letter “Q”. It almost appears to be a squiggly line through what may be the letter “O”. “Q” would indicate the year 1967. “O” would indicate the year 1965. Chassis #A 00152 indicates 1964. Transformer #606343 Indicates 1963. Far and away, the outstanding feature of this amp is the Celestion G12 Vintage 30 speakers made on Foxhall Rd. These speakers came with the amp when I acquired it. These speakers are highly efficient and slightly louder than most. It is located here in southern, Colorado. If you ever dreamed of what a vintage Fender amp would sound like through vintage Celestion speakers, your dream is here, now. Vinyl cover is included.