Vintage Tube Amp

Electric Guitar / Steel Guitar. Rumor has it that the Motor City Madman himself, Ted Nugent, challenged CBS’s amp designer, Ed Jahns to increase the power of a Twin Reverb using a typical 2 12 inch speaker cabinet. This is at a time when competition from other manufacturers such as Marshall, Hiwatt, and Mesa Boogie were building more and more powerful amps, and Ed wanted to top them all. He also developed the most comprehensive equalizer tone section that’s been in any Fender amp. This amp has power to spare and was so powerful that Ted Nugent only needed six of them (with Dual Showman speaker cabinets for a concert). This amp is serious business because it is so loud and clean at 180 watts. Steel guitar players are very fond of this amp design. The one and only drawback of the. The compact amp in a typical Twin Reverb cabinet, is the ridiculous heavy weight added by it’s speakers with oversized magnet structure. The only thing that makes sense to me now is cutting the cabinet down to a head so you have the flexibility of use with other speaker cabinets and transportation. We had our cabinet builder cut the amp down and we preserved the reverb spring unit, footswitch, and the tube chart. This amp is still complete with out speakers. This amp is now a more reasonable approx. Recently (July 2024) I took it to my current amp tech and he replaced the filter caps, pilot light, powered it for an hour and checked operation. He says it’s now in great shape. The reverb “tray” or “tank” or “spring unit” is located where Fender originally had it installed – on the inside bottom of the cabinet. Our cabinet builder has left enough space for it to fit. The reason why we don’t “install” the reverb tank (screw it down inside the cabinet) is so the user can position it how they want it, to the right side of the cabinet away from the tubes or even outside of the cabinet itself since it has about 18inches of cable connecting to the back of the amp chassis. Only the original cabinet has been shortened in height – speakers have been removed – everything else is located where it’s always been including the foot-switch. By turning these amps to heads, they can now be used for ANY amplification needs! Public address, bass, electric piano, organ, accordion, guitar, harmonica, steel guitar.. This platform makes an excellent bass amp paired with a suitable cabinet (4 ohm or greater)- complete flexibility and much more convenient with its increased portability. Chassis Black Ink Side Stamp. (19th week of 1976). (10th week of 1977). (34th week of 1976). It might serve the buyers purpose to bring up the power slowly with a variac since these used amp heads are over 50 years old and have not been used for a few decades. Our amp tech has only replaced the needed parts -(filter caps & power cords as specified) to just get them turned on and running for an hour. Please see a skilled amp tech before extended use. The operation of the amps requires that they be regularly serviced for optimal performance. Please remember these are vintage pieces, we cannot guarantee that they will not need service or more parts in their future; only some obvious parts were changed to get it working. Most of the parts are still the original old parts remaining which will be stated in our listings. We do not have any control on what was done by previous owners, but we try to write in detail any information we have. We cannot guarantee that all our information is 100% correct; it is our humble opinions and own musical knowledge. Please see photos and ask questions to make your own assessment. ASK ALL QUESTIONS BEFORE PURCHASING! This discriminating collector has curated an incredible collection of guitars & amps since 1965. From a collector & player with an extensive musical history and knowledge. This collection has been stored and cared for impeccably for decades. Now, after all these years, he is ready to share his collection with other enthusiasts and wants his prized possessions to go to good homes and get played! Please follow our listings. LOTS MORE TO COME! We only sell to buyers that are established, verified.

Hammond Organ AO-28 5 Vintage Amp 1960′s Tube Pre Amplifier Works with A100, B3. A CLOSE FRIEND OF OURS PASSED AWAY AND HE WAS A LESLIE BUILDER/RESTORER. WE WILL BE LISTING A LARGE QUANTITY OF LESLIE PARTS OVER THE NEXT FEW WEEKS. _gsrx_vers_836 GS 7.0.14 (836).

Mosvalve/Bk Butler RT-2100R rack mount amp. 100 watts of power. Fantastic clean and overdrive tones. High quality US made amp at a great price point. Used but good overall shape.. Some crackle in the volume knobs, most likely just dirty pots, evens out, only crackles when moving the knob. Has 2 brand new 12ax7 preamp tubes. Have 2 more Mesa preamp tubes I’ll send with it so you can dial in your preference. The Tube Works Mosvalve RT2100 is a vintage rack preamp power amplifier that was made in the United States. Known for being hard to find, this model is part of the Tube Works brand and features a unique tube-driven design.

This is a Vintage 1967 Silvertone Model 1484 Twin Twelve 2×12 Guitar Combo head and cabinet. Silvertone was a trade name of the Sears, Co. This amp was made in the USA by Danelectro. Date was determined by the codes on the two matching original Jensen C12Q speakers (220708) and pot codes (1376701). All the tubes are branded Silvertone and original to the amp with one exception. One of the 12AX7 tubes is a Silvertone from my personal stash. The three preamp 12AX7′s are made in Holland, so Bugle Boy Aperex tubes branded Silvertone? All USA, and HOLLAND made tubes, that test strong on my Hickok 6000a tube tester. This amp is nicer than most of the 1484′s I see for sale. TREMOLO and REVERB, BOTH WORK. The speakers have been professionally reconed and probably do not have 10 hours of play time on them. One of the tube sockets has been replaced (reverb driver). This thing sounds incredible. EVERYTHING works and it includes the footswitch. Clean controls, no scratchy pots. The reverb is just as wild and wacky as everyone says about it. AND YOU GET TO HEAR IT FOR YOURSELF. This amp is so original, the speaker cord is still attached to both the head and cab. That is the first and last time it was serviced. This is an attic find that cleaned up very nicely. There is evidence of deterioration, but for the most part well preserved. Please look at the pictures for condition. Normal aging and patina. One of the knobs has a chip. You can take this out to play a gig the day you get it. As a basic test I have operated this amp for at least 4 hours recently and it did not fail, smoke, throw sparks, blow fuses, start on fire, etc. Old electronics are scratched, worn, chipped, cracked, dirty, dusty, stained, ugly, tinkered with, missing parts, etc. The exteriors have wear that includes cuts, holes, tears, scuffs, missing stitching, missing or replaced feet, handles, knobs. In the course of servicing over the years, they typically do not have all original components. Old electronics typically hum and have scratchy controls. Old electronics can fail at any time. This is part of my estate. LOOK AT ALL MY LISTINGS!!! The following is common sense stuff, but needs mentioned. You should not have to live with something you are unhappy with for any reason. If you alter, modify, change or “repair” the item in anyway without my consent, you are accepting the item “as is”, at the price paid. We will work through the claim together until things are right.

A Rare Gem for Audiophiles, Musicians, and Collectors. Step back in time with this authentic 1930s-1940s Williamson Dual Mono Block Tube Amplifier, a rare and historically significant piece of audio equipment that shaped the hi-fi revolution. Whether you’re a collector, audiophile, or musician, this amplifier combines vintage charm with functionality. Vintage Authenticity: Original components dating back to the 1930s and early 1940s, including rare vintage tubes. Fully Serviced: Recently serviced with minor updates to ensure modern compatibility while preserving its historical integrity. 15-Watt Output: Perfect for a range of audio applications, including guitar, bass, keys, or other audio sources. Original Patina: Retains its original finish, showcasing natural wear and patina for a truly authentic vintage look. Enhanced Functionality: Added tone potentiometer for superior sound control. Provenance: Previously owned by a WWII submarine sonar technician, adding a unique story to this amp’s legacy. Why This Amplifier Stands Out. Rare Collectible : Few amplifiers from this era remain in such functional condition. A true piece of audio history! Versatile Use: Suitable for musicians, studio owners, and vintage audio enthusiasts. Works with guitar, bass, keys, or any audio source. Historical Significance: Own a piece of the early hi-fi movement that transformed how we experience sound. Functional: Plays beautifully with only one microphonic tube replaced. Cosmetic: Features minor rusting, wear, and authentic patina, reflecting its age and history. Documentation: Includes a rough diagram from Lyle and extensive research about its origin and components. Who Is This For? This amplifier is ideal for. Collectors seeking a unique and rare addition to their vintage electronics collection. Musicians wanting a classic sound with a story behind it. Audiophiles who value the warm, rich tone of a true vintage tube amp. This one-of-a-kind amplifier won’t last long. Relive the golden era of hi-fi audio or add an authentic centerpiece to your collection. Don’t miss your chance to own a piece of audio history! Track Page Views With.

Vintage 1950′s AMPEX A692 Amplifier loudspeaker Works. Plugged in bass guitar and it works. Probably could use a cleaning since its been stored away for years. The case is a little dirty too. Comes with original power cord. Cord shows its age but does power it on. Rare and harder to come by amplifier. Very sought after for the incredible sound. Will be double boxed and it is heavy.

Electric Guitar / Steel Guitar. Rumor has it that the Motor City Madman himself, Ted Nugent, challenged CBS’s amp designer, Ed Jahns to increase the power of a Twin Reverb using a typical 2 12 inch speaker cabinet. This is at a time when competition from other manufacturers such as Marshall, Hiwatt, and Mesa Boogie were building more and more powerful amps, and Ed wanted to top them all. He also developed the most comprehensive equalizer tone section that’s been in any Fender amp. This amp has power to spare and was so powerful that Ted Nugent only needed six of them (with Dual Showman speaker cabinets for a concert). This amp is serious business because it is so loud and clean at 180 watts. Steel guitar players are very fond of this amp design. The one and only drawback of the. The compact amp in a typical Twin Reverb cabinet, is the ridiculous heavy weight added by it’s speakers with oversized magnet structure. The only thing that makes sense to me now is cutting the cabinet down to a head so you have the flexibility of use with other speaker cabinets and transportation. We had our cabinet builder cut the amp down and we preserved the reverb spring unit, footswitch, and the tube chart. This amp is still complete with out speakers. This amp is now a more reasonable approx. Recently (July 2024) I took it to my current amp tech and he replaced the filter caps, pilot light, powered it for an hour and checked operation. He says it’s now in great shape. The reverb “tray” or “tank” or “spring unit” is located where Fender originally had it installed – on the inside bottom of the cabinet. Our cabinet builder has left enough space for it to fit. The reason why we don’t “install” the reverb tank (screw it down inside the cabinet) is so the user can position it how they want it, to the right side of the cabinet away from the tubes or even outside of the cabinet itself since it has about 18inches of cable connecting to the back of the amp chassis. Only the original cabinet has been shortened in height – speakers have been removed – everything else is located where it’s always been including the foot-switch. Chassis Black Ink Side Stamp. (19th week of 1976). (10th week of 1977). (34th week of 1976). It might serve the buyers purpose to bring up the power slowly with a variac since these used amp heads are over 50 years old and have not been used for a few decades. Our Amp tech has only replaced the needed parts (filter caps) to just get them working! The operation of the amps requires that they be regularly serviced for optimal performance. Please remember these are vintage pieces, we cannot guarantee that they will not need service or more parts in their future, only some obvious parts were changed to get it working, most are still the original old parts remaining. Your item will be packed with great care rest assured. This discriminating collector has curated an incredible collection of guitars and amps since 1965. From a collector & player with an extensive musical history and knowledge. This collection has been stored and cared for impeccably for decades. Now, after all these years, he is ready to share his collection with other enthusiasts and wants his prized possessions to go to good homes and get played! Please follow our listings. LOTS MORE TO COME! We only sell to buyers that are established, verified.

1969 Ampeg SB-12 Amp. Electric Guitar / Bass Amplifier Head. Includes: Cabinet hardware, Amp handle, Tube screen, Schematic, and Metal shielding plate. I bought this amp from a music store that was going out of business many decades ago. I noticed right away the speaker cabinet and the board that the amp head was mounted to were in bad shape so I discarded them. It had been brought in for repairs but the company never fixed it and went out of business. I also never did anything to restore it until last month when I took it to my amp tech. He replaced the power cord, on/off switch, removed the death cap, changed filter caps, repaired a short, and checked the general operation. He also replaced the output transformer with a comparable one. Since the other one was blown. This is now powering on and functioning. Apparently a former owner got some black paint over spray on the chassis face in certain areas. It comes with some cabinet hardware, amp handle, tube screen, schematic, and metal shielding plate. Model # SB 12. (CTS 35th week of 1969). (15th week of 1962). It might serve the buyers purpose to bring up the power slowly with a variac since these amp heads are over 50 years old and have not been used for a few decades. Please remember these are vintage pieces, we cannot guarantee that they will not need service or more parts in their future, only some obvious parts were changed to get it working, most are still the original old parts remaining. Your item will be packed with great care rest assured. This discriminating collector has curated an incredible collection of guitars and amps since 1965. From a collector & player with an extensive musical history and knowledge. This collection has been stored and cared for impeccably for decades. Now, after all these years, he is ready to share his collection with other enthusiasts and wants his prized possessions to go to good homes and get played! Please follow our listings. LOTS MORE TO COME! We only sell to buyers that are established, verified.

I’ve had this head sitting around in my garage for years, it’s a Vintage Fender BlackFace Showman Amp Head circa 1966-67; I don’t know much about this is.. It lights up when plugged in, I remember it worked before being put away. Looks to be all original, including the “widow-maker” two-prong cord.. Tolex looks good, there is a small 1 circle repair behind the handle, all else looks pretty good.. Back panel is fine, tubes may be original? Has “AB763″ model number at the top of inside label, and “PK” date code stamped.. Sorry I’m being lazy by not taking it apart for more pictures but will answer any and all questions if I can. I would recommend having this inspected/tuned up by an amp tech before using, and change that cord to a three-prong! Update 8/20: 4 added pics per member request- All power tubes are RCA, 3 6L6 & 1 7581.. Plus, all covers for rectifier tubes included, no footswitch..

1965 Fender Bandmaster / Showman. Electric Guitar / Bass Amplifier Head. This is what I call a Showmaster. It is essentially a Bandmaster thats been converted to a Showman amp, putting out approx. I got this amp head many decades ago and took it to my amp tech back then who removed all unnecessary modifications, changed the filter caps, the power cord and ran it for an hour. He put two plugs in the back of the chassis where the holes were from the pots, which cover the first letter of the serial number. He restored the circuit back to original model blackface circuitry but retained the Showman modification. I have not ran or played it since. It’s been often said by many that this is not a practical modification as it can overload the transformers and cause many problems. That is not necessarily true and especially in this case since both the output transformer and power transformer are the same ones used in Fender Dual Showman and Twin Reverb amplifiers. I recently, July 2024, took it to my current amp tech who checked the circuitry and ran the amplifier for an hour and found no problems. This amp should be working fine. The cabinet was pretty beat up when I got it so this was one of my first attempts back then of recovering. I re-tolexed the entire cabinet but not knowingly, I removed all the staples holding the screen on and re-stapled with silver staples. I taped plastic over the tube chart which was falling apart and saw enough of the date code so I wrote it in with black marker (OD). I also changed all of the hardware with the exception of the piggy-back slide brackets. This is why the amp looks so clean, I wanted it to match the exceptionally clean faceplate. Serial # A 10155. Production # something 3. Chassis Black Ink Stamp. Black Ink Stamp Underside. Cabinet Black Ink Stamp. (3rd week of 1963). (5th week of 1965). (26th week of 1964). It might serve the buyers purpose to bring up the power slowly with a variac since these used amp heads are over 50 years old and have not been used for a few decades. Our Amp tech has only replaced the needed parts (filter caps) to just get them working! The operation of the amps requires that they be regularly serviced for optimal performance. Please remember these are vintage pieces, we cannot guarantee that they will not need service or more parts in their future, only some obvious parts were changed to get it working, most are still the original old parts remaining. Your item will be packed with great care rest assured. This discriminating collector has curated an incredible collection of guitars and amps since 1965. From a collector & player with an extensive musical history and knowledge. This collection has been stored and cared for impeccably for decades. Now, after all these years, he is ready to share his collection with other enthusiasts and wants his prized possessions to go to good homes and get played! Please follow our listings. LOTS MORE TO COME! We only sell to buyers that are established, verified.