Vintage Tube Amp

Needs a board and 6v6 socket has a good set of transformers it was a build my had started and could not finish because cancer took him.

Vintage Frazier Tube Amplifier F-101T Power Amp 100W Unit. Offered here is a Vintage Frazier Tube Amplifier F-101T Power Amp 100W Unit. It does not appear to power on. We appreciate your business. In most cases these pieces come from surplus and business liquidation auctions and sales. We try to describe our items as best as possible and provide a number of quality photographs. We never intentionally sell broken items represented as working, and if we do sell you a broken item that we said worked, we will take it back. We take pride in our packaging and do a quality job of packing all of our items. We use quality new packing materials and boxes. Powered by SixBit’s eCommerce Solution.

USED Vintage 1949 Western Electric 247B Input Transformer for Tube application 247-B. Tested fine, no open coils. Important Note to Buyers: I appreciate your interest in my listing! Ve been receiving quite a few low offers, and I want to kindly remind everyone that my prices are based on thorough research of comparable listings. I strive to offer fair and competitive pricing, so I encourage you to consider this when making an offer. Thank you for understanding, and happy shopping!

This listing is for a used vintage used tube amplifier. Please see photos for condition.

In a guitar amp world filled with digital emulators, the vacuum tube (or valve) remains the undisputed king. The Stage Right 30-watt guitar stack delivers the best of tube amp and speaker design at an ultra affordable price. Three industry standard 12AX7 tubes drive the preamp and reverb sections, while two pairs of EL84 tubes generate 30-watts of output power. The clean and overdrive channels are selectable and reverb can be turned on or off using the included 2-button footswitch. A 3-band equalizer section allows you to really dial in and customize your sound. Included in the bundle is a 1×12 cabinet featuring an industry standard Celestion Vintage 30 speaker. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a. Stage Right by Monoprice 30-Watt 1×12 Guitar Stack Tube Amplifier with Celestion V30 and Reverb. Found in virtually all pro and touring rigs, the V30 creates enormously detailed and complex overtones, a warm low-end, and a famously rich vocal-like mid-range. The Celestion V30 sound has been captured on thousands of recordings from a diverse range of notable players, including Slash, Steve Stevens, and Peter Frampton. Adapters are not classified as cables. Monoprice stands behind the quality of everything we sell, and we are committed to your satisfaction. If you are purchasing a high value item, please ensure that someone can receive the package.

Eico HF-81 Vintage Integrated Tube Amplifier – Fully Rebuilt. General: The Eico HF-81 is a classic example of an excellent sounding 1960′s integrated tube amplifier. This vintage beauty has a full tube preamp and power amp delivering up to 14W of warm tube power. This is a rather rare combination for an integrated amp, as most are a hybrid designs with a solid state preamp a tube amp (or vice-versa) like the McIntosh MA230, MAC1500, etc. We were truly impressed at the sound quality of this piece during long-term testing on our test rig. In particular we thought vocals sounded fantastic, especially period correct Elvis and Sinatra. This particular HF-81 was completely overhauled before arriving into our shop and performed excellent in all of our bench and long-term listing tests. This HF-81 will come to you with a reprinted manual and a custom made dust cover. SkyFi Cosmetic Notes: This piece received a cosmetic overhaul at some point in the past. All chassis parts were repainted. The transformers were painted as well. It also appears as though all new hardware was installed. The manual is a reprinted copy. No silkscreen in present on the rear panel, but we’ll provide a printed diagram with all of the input labels and tube locations. SkyFi Technical Notes: This unit came to us having already undergone an extensive electronic restoration. Here is a rough outline of what we picked up on during our testing and review process. This unit was fully recapped including a new CE multi-section can, axial electrolytics, a mix of film and PIO coupling caps, and select mica capacitors. Select resistors replaced, modern three prong power cord added, SEP/COM Switch removed from circuit, a power switch was added to the rear panel, and a phono grounding lug was installed. Tube Notes: The rectifier tubes are current production Electro Harmonix. The output tubes are Groove Tubes EL84, the 12AX7s are a mix of Sovtek and GE, the 12AU7s are Sylvania. Both channels tested clean to about 9W into 8 ohms, both channels driven. The only electronic issue that we identified was a channel imbalance in the volume control. We opted to replace the volume control with an Alps “Blue Velvet” control. The channel balance of the volume control is now excellent. Slight drift in the balance control, however, results in the need for the balance control to be shifted just slightly to the left of center for ideal performance. Ownership: Second Owner Connections: RCA, Speaker bidning posts. Ground screw down terminal General Sound: Smooth, uncolored, undistorted natural and clean Cosmetic Condition: 8/10 = Very Good. Excellent front faceplate, one minor flaw on chassis side or top. Working Condition: Working perfectly and tested in our lab and listening room. Included: Unit, manual, and power cord. Packing: Will be packed using our highly developed in-house process and custom packing materials. Specs: Tube Complement: Four ECC83/12AX7 Four EL84/6BQ5 Two EZ81. Maximum output power: 14 WPC (11.5 dBW) continuous into rated load. Frequency response (at 1 W into 8 ohms): 10 Hz – 100 kHz, ±0.5 dB. Tone control range: ±15 dB at 50 Hz and 10 kHz. IM distortion (60 Hz and 6 kHz at 4:1): 2% at 14 W, 0.05% at 5 W. Sensitivity (input for 14 W): Moving Magnet Phono 4mV Tape head 2mV Mic 5mV Aux and Tuners 500mV. Speaker Connections: 4, 8, 16, 32 ohms. Dimensions: 15″ (385mm) W 4-3/4″ (120mm) H 10-1/2 (270mm) D Weight: 24 lbs. Testing Process: We start with a visual inspection of all internal components to make sure that there are no signs of heat stress or damage. Capacitors are checked for telltale signs of predictive failure including bulging, shrunken wrappers, or physical leakage. We also inspect resistors and other passive components for signs of overheating. If tube arcing has occurred in the past we can usually spot discoloration on the output tube sockets. On vintage units we often spot check select capacitors for value and ESR. If the amplifier passes visual inspection, we move on to a full test of all of the tubes. We use a modern Amplitrex AT-1000 Professional Tube Tester which is capable of testing both emission and Gm with a high degree of accuracy. We document the results of each tube and replace any weak or suspect tubes before proceeding. When we power on tube amplifiers for the first time we usually use a variac and current limited AC supply and slowly raise the voltage up to nominal mains level while monitoring plate, screen, filament, and negative bias supply voltages where applicable. If everything is in order we feed a low level test signal into the amplifier’s input and monitor its output on an oscilloscope across an 8 ohm dummy load. At this point we are just looking to verify basic function and confirm that the output transformers are not damaged. Once we have verified that the amplifier is safe to operate, we connected it to full mains power. For cathode biased amps we monitor the plate to cathode voltage to determine if the output tubes are operating in a safe range. Once the output section is verified we move onto bench evaluation. We start by feeding the input of the amplifier with a low level 1 KHz test signal, slowly increasing its amplitude while monitoring the amplifier’s output on an oscilloscope for signs of noise, clipping, distortion, or improper channel balance. We continue increasing the signal level until the amplifier reaches clipping. At this point we take an output power measurement and compare it to the spec sheet of the amplifier to verify proper performance. We finish off the bench evaluation with a 1 KHz square wave check and a 20 Hz to 20 KHz sine sweep to assess the amplifier’s frequency response characteristics. This battery of tests will usually reveal if the amplifier has any issues that need further attention. Before the device leaves the bench we perform a listening test with actual music using a variety of preferred test tracks. Our benches are outfitted with familiar monitor speakers which help us identify inconsistencies that will not always show up on our test gear. The main things that we are listening for are hum or noise with no signal present, proper center image, clicks, pops, or any other obvious undesirable audio characteristics. If the unit passes all of these tests it is moved to our long term testing rig where we simulate real word operating conditions for 6-8 hours minimum. For tube amps we like to run this test at least twice. This allows us to monitor the unit for signs of thermal runaway or intermittent issues that only crop up when it has fully come up to temperature. We find this step to be essential, especially for vintage units. Please note we are not a repair shop and only restore what we own. SkyFi Audio – Curators of Vintage Audio Gear. If we don’t have the original packaging, we use heavy-duty double-ply corrugated boxes with custom made to your item SealedAir Instapak expanding foam custom inserts. In many cases this has proven to be better than the original packaging! We also use high quality fiber reinforced tape to seal our packages. We have too many items for sale and it’s nearly impossible to keep track of offers outside of the official system. Our items are available for pick-up. No additional information at this time. You might also like. Dynavector 10×3 High-Output MC Phono Cartridge. Music Reference RM-5 MK II Tube Preamplifier with Phono. WyWires Silver Series Phono Interconnects – 5 Pin DIN w/ XLR Connectors – 4ft. Music Reference RM-9 Tube Amplifier With EL34′s.

For sale is a Fender Bassman Head from April of 1965. The black front panel reads Fender Electric Instrument Company. This amp is from before the CBS takeover. The amp is in excellent condition for is age with a minimum of components changed. All original transformers dating from 1963 & 1965. It has a three prong powerchord and a mix of vintage RCA & GE preamp tubes and contemporary power tubes. The tube chart reads AA165. The amp is actually the AB165 circuit with more gain. Fender used old tube charts until they ran out. If you jump the both channels they are in phase which make it a AB165 circuit. Please see photos for condition and internal components.

Up for sale, a 1980 Fender Deluxe Reverb in collector-grade condition and in perfect working order, complete with the original two-button footswitch. One of the very last Silverface Fenders, this amp has the push/pull Volume Boost feature and a high wattage ceramic magnet CTS speaker, both of which weren’t available on earlier examples. Designed for maximal headroom given its form factor, this Deluxe excels at delivering sparkling, detailed cleans with ample bass response and plenty of treble kick. The amp pushes into overdrive past 5 on the Volume dial, with additional gain on tap via the Boost feature. The Reverb has a splashy, chiming character, and the Tremolo has a nice chop and wide range of speeds. The circuit is 100% original save for two capacitors in the power supply, and the preamp retains its full complement of molded blue capacitors. The Schumacher-made transformers all date to 1980, and the CTS pots have visible date codes spanning mid-1979 to mid-1980. The tubes include the full set of original Fender-branded preamp tubes as well as the 5U4 rectifier, while the power tubes are a fresh pair of Groove Tubes/Sovtek 6V6s. The original CTS 12 speaker has a clean black frame, blue foil Fender label on the ceramic magnet, and inked date stamp translating to the 40th week of’80. The tube chart is also intact on the inside of the cabinet. Cosmetically, this amp is extremely clean, with sparingly little wear on the original smooth black tolex or silver sparkle grillcloth with pale blue stripe. The turquoise text on the faceplate is pristine, and the full set of original witch hat knobs are present. All of the stock hardware is intact, including the handle caps, chassis straps, raised Fender logo with tail, and sphinx glides (feet). The original two-button footswitch is included.

1950′ vintage gibson Ga-20 tube guitar amplifier just recapped sounds amazing reissue speaker. The original speaker was rotted and had tears ready to go no issues.

Please let me know if there are any defects in the product. I’ll do my best to solve the problem. I do not mark merchandise values below value or mark items as “gifts”.